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By Lisa Lopez Snyder I recently discovered the lyric essay, which, as The Seneca Review defined it in 1997, is a “sub-genre that straddles the essay and the lyric poem.”The lyric essay, according to The Review, takes “an allegiance to facts” and merges it with poetic metaphor to describe an object, person or moment that is quotidian.For example, you might focus on a particular type of.
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Seneca Review, in conjunction with the TRIAS writer-in-residence program at Hobart and William Smith Colleges, is inaugurating a book series to encourage and support innovative work in the essay. Cross-genre and hybrid work, verse forms, text and image, connected or related pieces, and “beyond category” projects are all within the ambit of the contest.
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The Pain Scale 0 No Pain The concept of Christ is considerably older than the concept of zero. Both are problematic—both have their fallacies and their immaculate conceptions. But the problem of zero troubles me significantly more than the problem of Christ. I am sitting in the exam room of a hospital entertaining the idea.